{"id":9791,"date":"2024-10-16T12:34:09","date_gmt":"2024-10-16T10:34:09","guid":{"rendered":"https:\/\/dev.lucianoberio.org\/nota-di-programma-op\/corale-authors-note\/"},"modified":"2025-01-23T12:56:26","modified_gmt":"2025-01-23T11:56:26","slug":"corale-authors-note","status":"publish","type":"nota-di-programma-op","link":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/corale-authors-note\/","title":{"rendered":"Corale (author’s note)"},"content":{"rendered":"

Corale<\/strong>
\non Sequenza VIII<\/em>
\nfor violin, two horns and strings (1981)<\/p>\n

In Corale<\/em> a string orchestra and two horns develop and expand certain implicit and explicit aspects of my Sequenza VIII<\/em> for violin, written in 1976. While the solo part of Corale<\/em> is essentially based on Sequenza VIII<\/em>, the orchestra reveals and brings forward a distinctly new image of the soloist himself, who appears to be looking into the mirror of his own harmonic life. Built around two ever-present notes (A and B), Corale<\/em> is quasi una passacaglia. These two notes function as a compass during a very diverse but carefully planned journey, often characterized by regular, periodic articulations and extreme accelerations.
\nWhile all my other Sequenzas<\/em> develop to the highest degree a limited range of instrumental characters, Sequenza VIII<\/em> – and therefore Corale<\/em> – presents a broader, more global and \u201chistorical\u201d view of the instrument. Composing this work has been like paying a personal tribute to the violin, which I still regard as one of the most subtle and complex of instruments.
\nCorale<\/em> (which in Italian means both \u201cchoral\u201d and \u201cchorale\u201d) was written in 1981.<\/p>\n

Luciano Berio<\/p>\n

Note d’autore: informazioni generali | Author’s note: general info
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