{"id":9778,"date":"2024-10-16T12:34:10","date_gmt":"2024-10-16T10:34:10","guid":{"rendered":"https:\/\/dev.lucianoberio.org\/nota-di-programma-op\/ofanim-note-de-lauteur\/"},"modified":"2025-01-23T12:55:52","modified_gmt":"2025-01-23T11:55:52","slug":"ofanim-note-de-lauteur","status":"publish","type":"nota-di-programma-op","link":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/ofanim-note-de-lauteur\/","title":{"rendered":"Ofan\u00ecm (note de l&#8217;auteur)"},"content":{"rendered":"<p><strong>Ofanim<\/strong><br \/>\npour voix de femme, deux ch\u0153urs d\u2019enfants, deux groupes instrumentaux et <em>live electronics<\/em> (1988-1992)<\/p>\n<p>Le texte d\u2019<em>Ofanim<\/em> (en h\u00e9breu, \u00e0 la fois \u00abroues\u00bb et \u00abmodes\u00bb) alterne des fragments du livre d\u2019Ez\u00e9chiel et des vers du <em>Cantique des Cantiques<\/em>. La vision dramatique d\u2019Ez\u00e9chiel (chapitre 1) &#8211; le plus personnel et le plus apocalyptique de tous les Proph\u00e8tes &#8211; s\u2019oppose fortement \u00e0 la sensualit\u00e9 terrestre des vers du <em>Cantique des Cantiques<\/em> (chapitre 4 et 5). Les apparitions fantasmagoriques d\u2019Ez\u00e9chiel d\u00e9crivent leur rotation perp\u00e9tuelle dans un ciel embras\u00e9. Les images po\u00e9tiques du <em>Cantique<\/em> s\u2019attardent avec nostalgie sur le visage et le corps de l\u2019\u00eatre cher. Le fragment final (Ez\u00e9chiel, 19) projette brusquement la pi\u00e8ce dans une perspective diff\u00e9rente: tout mouvement est arr\u00eat\u00e9, les lumi\u00e8res sont \u00e9teintes. Le verger aux senteurs parfum\u00e9es fait place \u00e0 une vigne fl\u00e9trie, et l\u2019image de la M\u00e8re, arrach\u00e9e \u00e0 son sol natal et rejet\u00e9e vers \u00abune terre s\u00e8che et br\u00fbl\u00e9e\u00bb \u00e9voque la m\u00e9moire de toutes les m\u00e8res de notre \u00e9poque, le souvenir de ces exodes et de ces holocaustes si profond\u00e9ment enracin\u00e9s dans notre conscience.<br \/>\nLa musique de <em>Ofanim<\/em> d\u00e9veloppe diff\u00e9rents modes de rotation et de mouvement dans l\u2019espace acoustique. \u00c9crit pour deux ch\u0153urs d\u2019enfants, deux groupes instrumentaux et une pr\u00e9sence f\u00e9minine, <em>Ofanim<\/em> utilise les nouvelles technologies d\u00e9velopp\u00e9es par le Centro Tempo Reale de Florence. La pens\u00e9e musicale doit aujourd\u2019hui \u00eatre capable d\u2019interagir avec les nouvelles technologies et de s\u2019adapter de fa\u00e7on cr\u00e9ative \u00e0 n\u2019importe quel espace r\u00e9el, pour en explorer les virtualit\u00e9s, et le remodeler acoustiquement. L\u2019image de la musique comme architecture sonore n\u2019est plus une simple m\u00e9taphore: elle repr\u00e9sente une possibilit\u00e9 concr\u00e8te et r\u00e9alisable. Il s\u2019agit bien entendu d\u2019une architecture flexible et mobile, capable de s\u2019adapter \u00e0 diverses situations et environnements. C\u2019est pourquoi, \u00e0 chaque nouvelle ex\u00e9cution, la strat\u00e9gie acoustique d\u2019<em>Ofanim<\/em> (c\u2019est-\u00e0-dire le software qui d\u00e9termine son profil acoustique) devra \u00eatre modifi\u00e9e et divers aspects de l\u2019\u0153uvre recompos\u00e9s.<br \/>\n<em>Ofanim<\/em> est d\u00e9di\u00e9 \u00e0 la m\u00e9moire de Rivi Pecker.<\/p>\n<p>Luciano Berio<\/p>\n<p><a href=\"http:\/\/dev.lucianoberio.org\/note-dautore\/\">Note d&#8217;autore: informazioni generali | Author&#8217;s note: general info<br \/>\n<\/a><\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false},"class_list":["post-9778","nota-di-programma-op","type-nota-di-programma-op","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ofan\u00ecm (note de l&#039;auteur) - Centro Studi Luciano Berio<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ofan\u00ecm (note de l&#039;auteur) - Centro Studi Luciano Berio\" \/>\n<meta property=\"og:description\" content=\"Ofanim pour voix de femme, deux ch\u0153urs d\u2019enfants, deux groupes instrumentaux et live electronics (1988-1992) Le texte d\u2019Ofanim (en h\u00e9breu, \u00e0 la fois \u00abroues\u00bb et \u00abmodes\u00bb) alterne des fragments du livre d\u2019Ez\u00e9chiel et des vers du Cantique des Cantiques. 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