{"id":9768,"date":"2024-10-16T12:34:10","date_gmt":"2024-10-16T10:34:10","guid":{"rendered":"https:\/\/dev.lucianoberio.org\/nota-di-programma-op\/nones-note-de-lauteur\/"},"modified":"2025-01-23T12:55:48","modified_gmt":"2025-01-23T11:55:48","slug":"nones-note-de-lauteur","status":"publish","type":"nota-di-programma-op","link":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/nones-note-de-lauteur\/","title":{"rendered":"Nones (note de l&#8217;auteur)"},"content":{"rendered":"<p><strong>Nones<\/strong><br \/>\npour orchestre (1954)<\/p>\n<p>Dans <em>Nones<\/em> (<em>La Neuvi\u00e8me Heure<\/em>), W. H. Auden transfigure la Passion du Christ en une interrogation lucide et br\u00fblante de l\u2019agonie de l\u2019homme encha\u00een\u00e9 \u00e0 l\u2019\u00e9nigme d\u2019un moment soudain, d\u00e9finitif.<\/p>\n<p>Ce que nous savons impossible,<br \/>\nBien que mainte fois annonc\u00e9<br \/>\nPar de rudes ermites, le chaman, la sibylle,<br \/>\nBaragouinant dans leurs transports,<br \/>\nOu r\u00e9v\u00e9l\u00e9 \u00e0 un enfant par quelque rime accidentelle,<br \/>\nComme huer et tuer, se r\u00e9alise<br \/>\nAvant que nous n\u2019en soyons conscients. Nous sommes \u00e9tonn\u00e9s<br \/>\nPar l\u2019aisance et la rapidit\u00e9 de notre action<br \/>\nEt mal \u00e0 l\u2019aise: Il est trois heures \u00e0 peine,<br \/>\nL\u2019apr\u00e8s-midi, et cependant le sang<br \/>\nDe notre sacrifice est d\u00e9j\u00e0 sec<br \/>\nDans l\u2019herbe; nous ne sommes pas pr\u00e9par\u00e9s<br \/>\nPour un silence si brusque et si total;<br \/>\nLa journ\u00e9e est trop chaude, trop claire, trop paisible,<br \/>\nTrop \u00e0 jamais, le mort reste trop rien.*<\/p>\n<p>Vers 1953-1954, j\u2019avais envisag\u00e9 une sorte de cantate pour solos, ch\u0153urs et orchestre \u00e0 partir de ce po\u00e8me. La conception musicale du projet \u00e9tait \u00e9tendue et complexe. Elle reposait sur une s\u00e9rie rigoureusement sym\u00e9trique de treize notes; une s\u00e9rie donc avec le redoublement d\u2019un son, qui engendrait des vastes transformations harmoniques, allant d\u2019agr\u00e9gats sonores tr\u00e8s complexes \u00e0 l\u2019octave.<\/p>\n<p>Toute l\u2019articulation et la morphologie du d\u00e9veloppement musical \u00e9taient contr\u00f4l\u00e9s par des proc\u00e9d\u00e9s assez syst\u00e9matiques et \u00abfatalistes\u00bb.<br \/>\nMais, apr\u00e8s une ann\u00e9e de travail, je dus me rendre \u00e0 l\u2019\u00e9vidence que le po\u00e8me \u00e9tait en lui-m\u00eame beaucoup trop complexe et long pour s\u2019int\u00e9grer enti\u00e8rement \u00e0 un processus musical. C\u2019est pourquoi, ayant finalement d\u00fb renoncer au projet sous cette forme, j\u2019ai assembl\u00e9 cinq de ses nombreux \u00e9pisodes orchestraux en une s\u00e9quence coh\u00e9rente qui, je l\u2019esp\u00e8re, conserve un peu du pouvoir de transfiguration du po\u00e8me d\u2019Auden. Il s\u2019agit de cinq aspects diff\u00e9rents du m\u00eame processus musical, formellement r\u00e9gl\u00e9 par des op\u00e9rations sur le num\u00e9ro 9 qui impliquent dur\u00e9es, intensit\u00e9s et modes d\u2019attaque. <em>Nones<\/em> peut aussi \u00eatre \u00e9cout\u00e9 comme une \u00e9tude de transitions sonores qui vont du <em>bruit<\/em> au <em>son<\/em>, c\u2019est \u00e0 dire de situations tr\u00e8s complexes \u00e0 situations relativement simples.<br \/>\n<em>Nones<\/em> a \u00e9t\u00e9 cr\u00e9\u00e9 \u00e0 Turin en 1955 sous la direction de Bruno Maderna.<\/p>\n<p>Luciano Berio<\/p>\n<p><a href=\"http:\/\/dev.lucianoberio.org\/note-dautore\/\">Note d&#8217;autore: informazioni generali | Author&#8217;s note: general info<br \/>\n<\/a><\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false},"class_list":["post-9768","nota-di-programma-op","type-nota-di-programma-op","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nones (note de l&#039;auteur) - Centro Studi Luciano Berio<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nones (note de l&#039;auteur) - Centro Studi Luciano Berio\" \/>\n<meta property=\"og:description\" content=\"Nones pour orchestre (1954) Dans Nones (La Neuvi\u00e8me Heure), W. 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