{"id":9738,"date":"2024-10-16T12:34:11","date_gmt":"2024-10-16T10:34:11","guid":{"rendered":"https:\/\/dev.lucianoberio.org\/nota-di-programma-op\/sequenza-viii-authors-note\/"},"modified":"2025-01-23T12:55:03","modified_gmt":"2025-01-23T11:55:03","slug":"sequenza-viii-authors-note","status":"publish","type":"nota-di-programma-op","link":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/sequenza-viii-authors-note\/","title":{"rendered":"Sequenza VIII (author&#8217;s note)"},"content":{"rendered":"<p><strong>Sequenza VIII<\/strong><br \/>\nfor violin (1976)<\/p>\n<p>To compose <em>Sequenza VIII <\/em>has been like paying a personal debt to the violin, which to me is one of the most subtle and complex of instruments. I studied violin myself, while I was already learning the piano and before starting the clarinet (my father wanted me to practise \u201call\u201d the instruments), and I have always maintained a strong attraction for this instrument, mixed, however, with rather tormented feelings (perhaps because I was already 13 &#8211; much too late &#8211; when I started my violin lessons).<br \/>\nWhile almost all the other <em>Sequenzas<\/em> develop to an extreme degree a very limited choice of instrumental possibilities, <em>Sequenza VIII<\/em> deals with a larger and more global view of the violin: and can be listened to as a development of instrumental gestures.<br \/>\n<em>Sequenza VIII<\/em> is built around two notes (A and B), which &#8211; as in a chaconne &#8211; act as a compass in the work\u2019s rather diversified and elaborate itinerary, where polyphony is no longer virtual but real, and where the soloist must make the listener constantly aware of the history behind each instrumental gesture. <em>Sequenza VIII<\/em>, therefore, becomes inevitably a tribute to that musical apex which is the Ciaccona from Johann Sebastian Bach\u2019s Partita in D minor, where &#8211; historically &#8211; past, present and future violin techniques coexist.<br \/>\n<em>Sequenza VIII<\/em> was written in 1976 for Carlo Chiarappa.<\/p>\n<p>Luciano Berio<\/p>\n<p><a href=\"http:\/\/dev.lucianoberio.org\/note-dautore\/\">Note d&#8217;autore: informazioni generali | Author&#8217;s note: general info<br \/>\n<\/a><\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false},"class_list":["post-9738","nota-di-programma-op","type-nota-di-programma-op","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sequenza VIII (author&#039;s note) - Centro Studi Luciano Berio<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sequenza VIII (author&#039;s note) - Centro Studi Luciano Berio\" \/>\n<meta property=\"og:description\" content=\"Sequenza VIII for violin (1976) To compose Sequenza VIII has been like paying a personal debt to the violin, which to me is one of the most subtle and complex of instruments. I studied violin myself, while I was already learning the piano and before starting the clarinet (my father wanted me to practise \u201call\u201d [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/sequenza-viii-authors-note\/\" \/>\n<meta property=\"og:site_name\" content=\"Centro Studi Luciano Berio\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-23T11:55:03+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/sequenza-viii-authors-note\\\/\",\"url\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/sequenza-viii-authors-note\\\/\",\"name\":\"Sequenza VIII (author's note) - Centro Studi Luciano Berio\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/#website\"},\"datePublished\":\"2024-10-16T10:34:11+00:00\",\"dateModified\":\"2025-01-23T11:55:03+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/sequenza-viii-authors-note\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/sequenza-viii-authors-note\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/sequenza-viii-authors-note\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/home\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sequenza VIII (author&#8217;s note)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/\",\"name\":\"Centro Studi Luciano Berio\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sequenza VIII (author's note) - Centro Studi Luciano Berio","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_US","og_type":"article","og_title":"Sequenza VIII (author's note) - Centro Studi Luciano Berio","og_description":"Sequenza VIII for violin (1976) To compose Sequenza VIII has been like paying a personal debt to the violin, which to me is one of the most subtle and complex of instruments. I studied violin myself, while I was already learning the piano and before starting the clarinet (my father wanted me to practise \u201call\u201d [&hellip;]","og_url":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/sequenza-viii-authors-note\/","og_site_name":"Centro Studi Luciano Berio","article_modified_time":"2025-01-23T11:55:03+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/sequenza-viii-authors-note\/","url":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/sequenza-viii-authors-note\/","name":"Sequenza VIII (author's note) - Centro Studi Luciano Berio","isPartOf":{"@id":"https:\/\/dev.lucianoberio.org\/en\/#website"},"datePublished":"2024-10-16T10:34:11+00:00","dateModified":"2025-01-23T11:55:03+00:00","breadcrumb":{"@id":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/sequenza-viii-authors-note\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dev.lucianoberio.org\/en\/program-note-work\/sequenza-viii-authors-note\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/sequenza-viii-authors-note\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dev.lucianoberio.org\/en\/home\/"},{"@type":"ListItem","position":2,"name":"Sequenza VIII (author&#8217;s note)"}]},{"@type":"WebSite","@id":"https:\/\/dev.lucianoberio.org\/en\/#website","url":"https:\/\/dev.lucianoberio.org\/en\/","name":"Centro Studi Luciano Berio","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dev.lucianoberio.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/dev.lucianoberio.org\/en\/wp-json\/wp\/v2\/nota-di-programma-op\/9738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.lucianoberio.org\/en\/wp-json\/wp\/v2\/nota-di-programma-op"}],"about":[{"href":"https:\/\/dev.lucianoberio.org\/en\/wp-json\/wp\/v2\/types\/nota-di-programma-op"}],"wp:attachment":[{"href":"https:\/\/dev.lucianoberio.org\/en\/wp-json\/wp\/v2\/media?parent=9738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}