{"id":9734,"date":"2024-10-16T12:34:11","date_gmt":"2024-10-16T10:34:11","guid":{"rendered":"https:\/\/dev.lucianoberio.org\/nota-di-programma-op\/sequenza-vi-note-de-lauteur\/"},"modified":"2025-01-23T12:55:01","modified_gmt":"2025-01-23T11:55:01","slug":"sequenza-vi-note-de-lauteur","status":"publish","type":"nota-di-programma-op","link":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/sequenza-vi-note-de-lauteur\/","title":{"rendered":"Sequenza VI (note de l&#8217;auteur)"},"content":{"rendered":"<p><strong>Sequenza VI<br \/>\n<\/strong>pour alto (1967)<\/p>\n<p><em>Sequenza VI<\/em> pour alto, \u00e9crite pour un interpr\u00e8te moderne dans le sens plus large et responsable du terme, est une \u0153uvre d\u2019une grande virtuosit\u00e9 (un hommage tr\u00e8s indirect au <em>Caprices<\/em> de Paganini), qui r\u00e9p\u00e8te, d\u00e9veloppe et transforme constamment une m\u00eame s\u00e9quence harmonique de base. Il s\u2019agit donc d\u2019une \u00e9tude formelle sur la <em>r\u00e9p\u00e9tition<\/em>, sur la relation entre des modules qui sont r\u00e9p\u00e9t\u00e9s plusieurs fois et d\u2019autres qui ne le sont jamais.<br \/>\nDans les ann\u00e9es suivantes, <em>Sequenza VI<\/em> est devenue aussi une sorte de calque pour d\u2019autres \u0153uvres telles que <em>Chemins II<\/em> (pour alto et neuf instruments) et <em>Chemins III<\/em> (pour alto et orchestre), qui, en laissant intacte la partie du soliste, d\u00e9veloppent davantage les caract\u00e8res harmoniques et les articulations significatives de la pi\u00e8ce originaire. On peut donc tenir <em>Sequenza VI<\/em> pour l\u2019\u00e9l\u00e9ment central d\u2019une id\u00e9e \u00e0 trois faces.<br \/>\n<em>Sequenza VI <\/em>a \u00e9t\u00e9 \u00e9crite en 1967 pour Walter Trampler.<\/p>\n<p>Luciano Berio<\/p>\n<p><a href=\"http:\/\/dev.lucianoberio.org\/note-dautore\/\">Note d&#8217;autore: informazioni generali | Author&#8217;s note: general info<br \/>\n<\/a><\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false},"class_list":["post-9734","nota-di-programma-op","type-nota-di-programma-op","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sequenza VI (note de l&#039;auteur) - Centro Studi Luciano Berio<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sequenza VI (note de l&#039;auteur) - Centro Studi Luciano Berio\" \/>\n<meta property=\"og:description\" content=\"Sequenza VI pour alto (1967) Sequenza VI pour alto, \u00e9crite pour un interpr\u00e8te moderne dans le sens plus large et responsable du terme, est une \u0153uvre d\u2019une grande virtuosit\u00e9 (un hommage tr\u00e8s indirect au Caprices de Paganini), qui r\u00e9p\u00e8te, d\u00e9veloppe et transforme constamment une m\u00eame s\u00e9quence harmonique de base. 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