{"id":9714,"date":"2024-10-16T12:34:11","date_gmt":"2024-10-16T10:34:11","guid":{"rendered":"https:\/\/dev.lucianoberio.org\/nota-di-programma-op\/rounds-authors-note\/"},"modified":"2025-01-23T12:54:52","modified_gmt":"2025-01-23T11:54:52","slug":"rounds-authors-note","status":"publish","type":"nota-di-programma-op","link":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/rounds-authors-note\/","title":{"rendered":"Rounds (author&#8217;s note)"},"content":{"rendered":"<p><strong>Rounds<\/strong><br \/>\nfor harpsichord (1966)<\/p>\n<p><em>Rounds<\/em> breaks up into four segments that are first played in contrasting registrations. The score is then turned upside down, thereby causing changes in pitch and timbre. Subsequently the player returns it to its first position but plays at a faster tempo.<br \/>\nAll the possibilities offered by the harpsichord are exploited in this composition, from pedal effects to clusters through lute registrations. <em>Rounds<\/em> is a kind of firework of lines and timbres blended and ramified <em>ad infinitum<\/em>.<\/p>\n<p>Luciano Berio<\/p>\n<p><a href=\"http:\/\/dev.lucianoberio.org\/note-dautore\/\">Note d&#8217;autore: informazioni generali | Author&#8217;s note: general info<br \/>\n<\/a><\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false},"class_list":["post-9714","nota-di-programma-op","type-nota-di-programma-op","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rounds (author&#039;s note) - Centro Studi Luciano Berio<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rounds (author&#039;s note) - Centro Studi Luciano Berio\" \/>\n<meta property=\"og:description\" content=\"Rounds for harpsichord (1966) Rounds breaks up into four segments that are first played in contrasting registrations. The score is then turned upside down, thereby causing changes in pitch and timbre. Subsequently the player returns it to its first position but plays at a faster tempo. All the possibilities offered by the harpsichord are exploited [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/rounds-authors-note\/\" \/>\n<meta property=\"og:site_name\" content=\"Centro Studi Luciano Berio\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-23T11:54:52+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/rounds-authors-note\\\/\",\"url\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/rounds-authors-note\\\/\",\"name\":\"Rounds (author's note) - Centro Studi Luciano Berio\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/#website\"},\"datePublished\":\"2024-10-16T10:34:11+00:00\",\"dateModified\":\"2025-01-23T11:54:52+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/rounds-authors-note\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/rounds-authors-note\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/rounds-authors-note\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/home\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Rounds (author&#8217;s note)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/\",\"name\":\"Centro Studi Luciano Berio\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Rounds (author's note) - Centro Studi Luciano Berio","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_US","og_type":"article","og_title":"Rounds (author's note) - Centro Studi Luciano Berio","og_description":"Rounds for harpsichord (1966) Rounds breaks up into four segments that are first played in contrasting registrations. The score is then turned upside down, thereby causing changes in pitch and timbre. Subsequently the player returns it to its first position but plays at a faster tempo. All the possibilities offered by the harpsichord are exploited [&hellip;]","og_url":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/rounds-authors-note\/","og_site_name":"Centro Studi Luciano Berio","article_modified_time":"2025-01-23T11:54:52+00:00","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/rounds-authors-note\/","url":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/rounds-authors-note\/","name":"Rounds (author's note) - Centro Studi Luciano Berio","isPartOf":{"@id":"https:\/\/dev.lucianoberio.org\/en\/#website"},"datePublished":"2024-10-16T10:34:11+00:00","dateModified":"2025-01-23T11:54:52+00:00","breadcrumb":{"@id":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/rounds-authors-note\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dev.lucianoberio.org\/en\/program-note-work\/rounds-authors-note\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/rounds-authors-note\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dev.lucianoberio.org\/en\/home\/"},{"@type":"ListItem","position":2,"name":"Rounds (author&#8217;s note)"}]},{"@type":"WebSite","@id":"https:\/\/dev.lucianoberio.org\/en\/#website","url":"https:\/\/dev.lucianoberio.org\/en\/","name":"Centro Studi Luciano Berio","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dev.lucianoberio.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/dev.lucianoberio.org\/en\/wp-json\/wp\/v2\/nota-di-programma-op\/9714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.lucianoberio.org\/en\/wp-json\/wp\/v2\/nota-di-programma-op"}],"about":[{"href":"https:\/\/dev.lucianoberio.org\/en\/wp-json\/wp\/v2\/types\/nota-di-programma-op"}],"wp:attachment":[{"href":"https:\/\/dev.lucianoberio.org\/en\/wp-json\/wp\/v2\/media?parent=9714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}