{"id":9680,"date":"2024-10-16T12:34:12","date_gmt":"2024-10-16T10:34:12","guid":{"rendered":"https:\/\/dev.lucianoberio.org\/nota-di-programma-op\/serenata-i-note-de-lauteur\/"},"modified":"2025-01-23T12:54:06","modified_gmt":"2025-01-23T11:54:06","slug":"serenata-i-note-de-lauteur","status":"publish","type":"nota-di-programma-op","link":"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/serenata-i-note-de-lauteur\/","title":{"rendered":"Serenata I (note de l&#8217;auteur)"},"content":{"rendered":"<p><strong>Serenata<\/strong><br \/>\npour fl\u00fbte et quatorze instruments (1957)<\/p>\n<p>La p\u00e9riode cruciale des \u00abfolles ann\u00e9es \u201850\u00bb \u00e9tait une p\u00e9riode \u00e0 la fois difficile et intense: les compositeurs \u00e9taient profond\u00e9ment int\u00e9ress\u00e9s \u00e0 la recherche de r\u00e9f\u00e9rences structurales et d\u2019un ordre s\u00e9riel nouveau. Le visage de la musique \u00e9tait toujours s\u00e9v\u00e8re et souvent grincheux. La <em>Serenata<\/em> de Bruno Maderna et la mienne \u00e9taient les premi\u00e8res \u00abs\u00e9r\u00e9nades\u00bb d\u2019apr\u00e8s-guerre. Il me semble que c\u2019\u00e9taient les premiers exemples o\u00f9 la musique s\u00e9rielle commen\u00e7ait \u00e0 se d\u00e9tendre un peu.<br \/>\nD\u2019une certaine mani\u00e8re, <em>Serenata<\/em> pour fl\u00fbte et quatorze instruments annonce <em>Tempi concertati<\/em> (1958-1959) et la s\u00e9rie des <em>Chemins<\/em>, c\u2019est-\u00e0-dire des \u0153uvres dans lesquelles je me suis confront\u00e9 au probl\u00e8me d\u2019int\u00e9grer un soliste \u00e0 un ensemble instrumental ou \u00e0 un orchestre. Dans <em>Serenata<\/em> les quatorze instruments, plut\u00f4t que de s\u2019opposer ou de servir d\u2019accompagnement \u00e0 la fl\u00fbte, la d\u00e9veloppent et la engendrent dans une interaction continuelle d\u2019\u00e9l\u00e9ments et de caract\u00e8res &#8211; de m\u00eame qu\u2019une forme porte en soi des couleurs et des ombres capables d\u2019en modifier le sens.<br \/>\n<em>Serenata<\/em>, \u00e9crite pour Severino Gazzelloni, est d\u00e9di\u00e9e \u00e0 Pierre Boulez qui la cr\u00e9a \u00e0 Paris en mars 1957.<\/p>\n<p>Luciano Berio<\/p>\n<p><a href=\"http:\/\/dev.lucianoberio.org\/note-dautore\/\">Note d&#8217;autore: informazioni generali | Author&#8217;s note: general info<br \/>\n<\/a><\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false},"class_list":["post-9680","nota-di-programma-op","type-nota-di-programma-op","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Serenata I (note de l&#039;auteur) - Centro Studi Luciano Berio<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Serenata I (note de l&#039;auteur) - Centro Studi Luciano Berio\" \/>\n<meta property=\"og:description\" content=\"Serenata pour fl\u00fbte et quatorze instruments (1957) La p\u00e9riode cruciale des \u00abfolles ann\u00e9es \u201850\u00bb \u00e9tait une p\u00e9riode \u00e0 la fois difficile et intense: les compositeurs \u00e9taient profond\u00e9ment int\u00e9ress\u00e9s \u00e0 la recherche de r\u00e9f\u00e9rences structurales et d\u2019un ordre s\u00e9riel nouveau. Le visage de la musique \u00e9tait toujours s\u00e9v\u00e8re et souvent grincheux. La Serenata de Bruno Maderna [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/serenata-i-note-de-lauteur\/\" \/>\n<meta property=\"og:site_name\" content=\"Centro Studi Luciano Berio\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-23T11:54:06+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/serenata-i-note-de-lauteur\\\/\",\"url\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/serenata-i-note-de-lauteur\\\/\",\"name\":\"Serenata I (note de l'auteur) - Centro Studi Luciano Berio\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/#website\"},\"datePublished\":\"2024-10-16T10:34:12+00:00\",\"dateModified\":\"2025-01-23T11:54:06+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/serenata-i-note-de-lauteur\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/serenata-i-note-de-lauteur\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/program-note-work\\\/serenata-i-note-de-lauteur\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/home\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Serenata I (note de l&#8217;auteur)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/\",\"name\":\"Centro Studi Luciano Berio\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/dev.lucianoberio.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Serenata I (note de l'auteur) - Centro Studi Luciano Berio","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_US","og_type":"article","og_title":"Serenata I (note de l'auteur) - Centro Studi Luciano Berio","og_description":"Serenata pour fl\u00fbte et quatorze instruments (1957) La p\u00e9riode cruciale des \u00abfolles ann\u00e9es \u201850\u00bb \u00e9tait une p\u00e9riode \u00e0 la fois difficile et intense: les compositeurs \u00e9taient profond\u00e9ment int\u00e9ress\u00e9s \u00e0 la recherche de r\u00e9f\u00e9rences structurales et d\u2019un ordre s\u00e9riel nouveau. 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