{"version":"1.0","provider_name":"Centro Studi Luciano Berio","provider_url":"https:\/\/dev.lucianoberio.org\/en\/","author_name":"wedesign","author_url":"https:\/\/dev.lucianoberio.org\/en\/author\/wedesign\/","title":"Tempi concertati (author's note) - Centro Studi Luciano Berio","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"RaelO9X18x\"><a href=\"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/tempi-concertati-authors-note\/\">Tempi concertati (author&#8217;s note)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/tempi-concertati-authors-note\/embed\/#?secret=RaelO9X18x\" width=\"600\" height=\"338\" title=\"&#8220;Tempi concertati (author&#8217;s note)&#8221; &#8212; Centro Studi Luciano Berio\" data-secret=\"RaelO9X18x\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/dev.lucianoberio.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Tempi concertati for flute, violin, two pianos and four orchestral groups (1958-1959) The \u201csound families\u201d of an instrumental ensemble do not necessarily coincide with the \u201cinstrumental families\u201d. On the contrary, the sound families appear to create analogies exactly where the instrumental families (to be quite clear, those of the instrumentation text-books) create differences and oppositions. [&hellip;]"}