{"version":"1.0","provider_name":"Centro Studi Luciano Berio","provider_url":"https:\/\/dev.lucianoberio.org\/en\/","author_name":"wedesign","author_url":"https:\/\/dev.lucianoberio.org\/en\/author\/wedesign\/","title":"Serenata I (note de l'auteur) - Centro Studi Luciano Berio","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"c8pfpDkYui\"><a href=\"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/serenata-i-note-de-lauteur\/\">Serenata I (note de l&#8217;auteur)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/serenata-i-note-de-lauteur\/embed\/#?secret=c8pfpDkYui\" width=\"600\" height=\"338\" title=\"&#8220;Serenata I (note de l&#8217;auteur)&#8221; &#8212; Centro Studi Luciano Berio\" data-secret=\"c8pfpDkYui\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/dev.lucianoberio.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Serenata pour fl\u00fbte et quatorze instruments (1957) La p\u00e9riode cruciale des \u00abfolles ann\u00e9es \u201850\u00bb \u00e9tait une p\u00e9riode \u00e0 la fois difficile et intense: les compositeurs \u00e9taient profond\u00e9ment int\u00e9ress\u00e9s \u00e0 la recherche de r\u00e9f\u00e9rences structurales et d\u2019un ordre s\u00e9riel nouveau. Le visage de la musique \u00e9tait toujours s\u00e9v\u00e8re et souvent grincheux. La Serenata de Bruno Maderna [&hellip;]"}