{"version":"1.0","provider_name":"Centro Studi Luciano Berio","provider_url":"https:\/\/dev.lucianoberio.org\/en\/","author_name":"wedesign","author_url":"https:\/\/dev.lucianoberio.org\/en\/author\/wedesign\/","title":"Sequenza VII (nota dell'autore) - Centro Studi Luciano Berio","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"AU0xtUwweF\"><a href=\"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/sequenza-vii-nota-dellautore\/\">Sequenza VII (nota dell&#8217;autore)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/dev.lucianoberio.org\/en\/program-note-work\/sequenza-vii-nota-dellautore\/embed\/#?secret=AU0xtUwweF\" width=\"600\" height=\"338\" title=\"&#8220;Sequenza VII (nota dell&#8217;autore)&#8221; &#8212; Centro Studi Luciano Berio\" data-secret=\"AU0xtUwweF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/dev.lucianoberio.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Sequenza VII per oboe (1969) Le mie Sequenze per strumenti monodici (flauto, trombone, oboe, clarinetto, tromba, fagotto) propongono un ascolto di tipo polifonico basato, in parte, sulla rapida transizione fra caratteri differenti e sulla loro interazione simultanea. Anche in Sequenza VII per oboe proseguo questa ricerca di una polifonia latente, creando una prospettiva per le [&hellip;]"}